SLAM Project 2015: Resilience Section

 

The Alaska State Library Archives and Museum (SLAM) project is in the construction phase, with opening of the new building planned for June 2016.  We are preparing collections for exhibit.  There are approximately 22 interpretive areas, around 90 exhibit cases, and roughly 2,500 objects. As I write this, we are beginning the ninth physical layout.  Here are some of the conservation tasks identified from the first layout and a glimpse of our process.  I hope to post regularly for each of these sections.  Stay tuned!

From L to R: exhibit designer Aaron Elmore, exhibits curator Jackie Manning and curator Steve Henrikson working together on the layout for the Resilience section of the new exhibits.

From L to R: exhibit designer Aaron Elmore, exhibits curator Jackie Manning and curator Steve Henrikson working together on the layout for the Resilience section of the new exhibits.

 

Jackie measures Kow.ee's police uniform while registrar Andrew Washburn holds it up.  Hardhats and loud vests are due to the collections storage and processing areas being in the middle of an active construction zone.  In order to access the site, we are required to wear protective gear.

Jackie measures Kow.ee’s police uniform (ASM III-O-416) while registrar Andrew Washburn holds it up. Hardhats and loud vests are due to the collections storage and processing areas being in the middle of an active construction zone. In order to access the site, we are required to wear protective gear.

This dress (bodice and skirt) was made and worn by Lily Yarkwaan.  Please note all spelling errors are mine!

This bodice (and skirt, not shown) was made and worn by Lily Yarkwaan. Please note all spelling errors are mine! ASM 2000-12-1

The dress has baleen stays inside, some of which are loose, as well as some wear and tear.  This will be stabilized before it is put on a mannequin.  Gearing up for making dozens of mannequins is starting now, too.

The dress has baleen stays inside, some of which are loose, as well as some wear and tear. This will be stabilized before it is put on a mannequin. Gearing up for making dozens of mannequins is starting now, too.

This Russian Orthodox lamp has wax residues (which we'd like to keep) and polishing residues (which we'd like to remove).

This Russian Orthodox lampada has wax residues (which we’d like to keep) and old polishing residues (which we’d like to remove). Polishing residues are disfiguring and can cause corrosion stress cracking in the metal. ASM 2001-10-12

Several of our Russian Orthodox icons had loose and flaking paint, expertly stabilized on site during a visit by paintings conservator Gwen Manthey.

Several of our Russian Orthodox icons had loose and flaking paint, expertly stabilized on site during a visit by paintings conservator Gwen Manthey.

This is an important 1872 painting of a fur seal rookery on St Paul Island in the Bering Sea by Henry W. Elliott.  Paper conservator Karen Zukor was here last month assessing the paper items designated for exhibit and gave us a condition report and cost estimate for treatment.

This is an important 1872 painting of a fur seal rookery on St Paul Island in the Bering Sea by Henry W. Elliott. Paper conservator Karen Zukor was here last month assessing the paper items designated for exhibit and gave us a condition report and cost estimate for treatment of this artwork. ASM 2005-41-1

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One Response to SLAM Project 2015: Resilience Section

  1. Good Luck with the immense amount of work ahead!!

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