SLAM Project 2015: World War II Section

March 18, 2015

Here I continue to post snapshots of the conservation work ahead for our upcoming new exhibits.  The Alaska State Library Archives and Museum (SLAM) project is in the construction phase, with opening of the new building planned for June 2016.  There are approximately 22 interpretive areas, around 90 exhibit cases, and roughly 2,500 objects. This section is about World War II, an area of the collection that has grown significantly in the past few years.  This is one of the areas that will be mannequin-intense, as we have quite a few uniforms from different service branches. Here are some of the artifacts that need some extra care from conservators.

ASM 2013-61-1 these remarkable fur lined pants have some tears that need to be repaired.

ASM 2013-61-1 these remarkable fleece lined pants from the Army Air Corps have some tears that need to be repaired.

The zipper of the pants suffers from tooth loss and corrosion.  This needs to be stabilized, and the display details strategized if the zipper cannot be zipped.

The zipper of the pants suffers from tooth loss and corrosion. This needs to be stabilized, and the display details strategized if the zipper cannot be zipped.

This barracks box from the Aleutian campaign contains clothing that must be addressed.  It may need to be vacuumed, and the arrangement and support of the garments in the box needs to be determined with aesthetics, interpretation, and long term preservation in mind.

This barracks box from the Aleutian campaign (ASM 96-59-1) contains clothing that must be addressed. It may need to be vacuumed, and the arrangement and support of the garments in the box needs to be determined with aesthetics, interpretation, and long term preservation in mind.

This USCG shirt (ASM III-O-856) is in great condition, except for the spotty staining overall that may be from mildew during storage before it was donated.  Stains on white fabrics are notoriously difficult to remove.  Still, I think we will try...

This USCG shirt (ASM III-O-856) is in great condition, except for the spotty staining overall that may be from mildew during storage before it was donated. Stains on white fabrics are notoriously difficult to remove. Still, I think we will try…

This gas mask, III-O-165, has a lot of rubber components that are still flexible, but who knows how long that flexibility will last?  Can we come up with a support system that will allow the item to be interpreted and studied in the future even when it gets stiff?

This gas mask, III-O-165, has a lot of rubber components that are still flexible, but who knows how long that flexibility will last? Can we come up with a support system that will allow the item to be interpreted and studied in the future even when it gets stiff?

The canister of the gas mask has some corrosion.  This needs to be characterized and stabilized.

The canister of the gas mask has some corrosion. This needs to be characterized and stabilized.

 

ASM III-O-364 is a Japanese charcoal burning stove.  Staff here are very fond of its industrial design elements.  Inside there is a lot of dirt and rocks.  We will need to determine if those are to be kept inside or not.

ASM III-O-364 is a Japanese charcoal burning stove. Staff here are very fond of its industrial design elements. The inside is full of dirt and rocks. We will need to determine if those are to be kept inside or not.

This Japanese rifle, III-O-240, has areas of corrosion and some elements that might be bent or out of position.  It is an Arisaka Model 99 collected at Kiska.

This Japanese rifle, III-O-240, has areas of corrosion and some elements that might be bent or out of position. It is an Arisaka Model 99 collected at Kiska.

The strap of the rifle is actively flaking an orange powder.  This material will need to be characterized and stabilized before it can go on display.

The strap of the rifle is actively flaking an orange powder. This material will need to be characterized and stabilized before it can go on display.

In this image, paper conservator Karen Zukor is examining and testing a watercolor painting from 1943 Adak Island by Warren Beach.  The artwork has some severe spotty staining on the back that is beginning to show through to the front.  A later to posting will detail some of our strategies to control light levels in the upcoming exhibits.

In this image, paper conservator Karen Zukor is examining and testing a watercolor painting from 1943 Adak Island by Warren Beach. The artwork has some severe spotty staining on the back that is beginning to show through to the front. A later to posting will detail some of our strategies to control light levels in the upcoming exhibits. This painting will need treatment before exhibition.


SLAM Project 2015: Foreign Voyagers Section

March 9, 2015

I’ve been posting snapshots if some of the conservation work ahead for our upcoming new exhibits.  The Alaska State Library Archives and Museum (SLAM) project is in the construction phase, with opening of the new building planned for June 2016.  There are approximately 22 interpretive areas, around 90 exhibit cases, and roughly 2,500 objects. The interpretive area addressed by this post is called “Sails on the Horizon: Foreign Voyagers in Native Alaska.”  Many of the items in it are maps and prints about early explorers in the area and what some of the first encounters were like between Europeans and Alaska Natives.  Because there are not a lot of conservation treatments needed in this section, I’m going to include images of the voyage between the different locations in downtown Juneau that conservators will be working this summer, since I will have 3 graduate conservation students voyaging here to work with me and I bet they would like a glimpse (more on them later)…

Paper conservator Karen Zukor came up in January to consult with us.  Here she is explaining the issues with an artwork.  L to R curator Steve Henrikson,exhibit curator Jackie Manning, back of my head, exhibit designer Aaron Elmore, exhibit coordinator Paul Gardinier, and Karen Zukor.

Paper conservator Karen Zukor came up in January to consult with us. Here she is explaining the issues with an artwork. L to R curator Steve Henrikson, exhibit curator Jackie Manning, back of my head, exhibit designer Aaron Elmore, exhibit coordinator Paul Gardinier, and Karen Zukor.  Some Wonderwall specimens in foreground.  More on that later!

V-A-144 this image of the disaster at Lituya Bay was collected by Governor Heintzleman in France.  It has some staining and mat issues that will require treatment.  This is the image Karen was discussing in the previous pic.

V-A-144 this image of the disaster at Lituya Bay was collected by Governor Heintzleman in France. It has some staining and mat issues that will require treatment. This is the image Karen was discussing in the previous pic.

95-37-4-3 chest Sometimes called a Russian Chest or a Chinese Chest, these camphorwood chests covered with painted leather tacked down with brass tacks were part of early trade and found now in many Alaskan museum collections.  They almost always have the kind of damage seen here.

95-37-4-3 chest Sometimes called a Russian Chest or a Chinese Chest, these camphorwood chests covered with painted leather tacked down with brass tacks were part of early trade and found now in many Alaskan museum collections. They almost always have the kind of damage seen here.

Now for the walking tour! This is my desk in the State Office Building (folks here call it the SOB and they don't even snicker).

Now for the walking tour! This is my desk in the State Office Building (folks here call it the SOB and they don’t even snicker).

This is the front section of my temporary lab space.  It is an alternately exploding and collapsing universe of clutter.  It will be tidier when interns come...for a while.

This is the front section of my temporary lab space. It is an alternately exploding and collapsing universe of clutter. It will be tidier when interns come…for a while.

This is the back section of the temporary lab space, with a sink and a lot of supplies.  All those totes are from the 1000+ shipwreck artifacts we finished up last summer...

This is the back section of the temporary lab space, with a sink and a lot of supplies. All those totes are from the 1000+ shipwreck artifacts we finished up last summer…

This is the SOB atrium, where folks can get coffee, snacks, and free wifi.  That Haida totem pole by Dwight Wallace is in the museum collections (II-B-1632) but is not moving.

This is the SOB atrium, where folks can get coffee, snacks, and free wifi. That Haida totem pole by Dwight Wallace is in the museum collections (II-B-1632) but is not moving.

That organ under cover and its pipes in the chamber are in the museum collections too (III-O-688) but not moving.  You can hear it played live most Fridays over the lunch hour.

That organ under cover and its pipes in the chamber are in the museum collections too (III-O-688) but not moving. You can hear it played live most Fridays over the lunch hour.

This is the P2 level entrance of the SOB, where we exit to head over to the Vault.

This is the P2 level entrance of the SOB, where we exit to head over to the Vault.

As you leave the SOB, you see Bullwinkles, which is great for after work pizza, popcorn and a picher with co-workers.  Next door is the Twilight Café, which has my favorite Americano in town and a divine pork adobo burrito.  We cut across this parking lot to go to the Vault.

As you leave the SOB, you see Bullwinkle’s, which is great for after work pizza, popcorn and a pitcher with co-workers. Next door is the Twilight Café, which has my favorite Americano in town and a divine pork adobo burrito. We cut across this parking lot to go toward the Vault.

Here is the site of the new building as it looks on a rainy Thursday, March 5, 2015.  The weather may at times be that lousy this summer, but hopefully there will be sunny days, too.

Here is the site of the new building as it looks on a rainy Thursday, March 5, 2015. The weather may at times be that lousy this summer, but hopefully there will be sunny days, too.

This is the side of the building, and right around where the blue tarps are is the future conservation lab area.

This is the side of the building, and right around where the blue tarps are is the future conservation lab area.

Oops, wait, turn around!  Some orientation.  The tallest building in the background, behind the blue and yellowish one, is the SOB.  The blue one on the hill is the fisherman's lobbyist building.  And the reddish orange one is my house!

Oops, wait, turn around! Some orientation. The tallest building in the background, behind the blue and yellowish one, is the SOB. The blue one on the hill is the fisherman’s lobbyist building. And the reddish orange one is my house!

There's the bus, it stops several places near the site.  And the building with the blue stripes is Thibodeau's, which has a convenience store for sandwiches and coffee and friendly banter with Henry.

There’s the bus, it stops several places near the site. And the building with the blue stripes is Thibodeau’s, which has a convenience store for sandwiches and coffee and friendly banter with Henry.

If you cut between Thibodeau's and the Driftwood hotel, there's the Sandpiper Café, great breakfast and tasty lunch...especially the exotic burgers and waffle cut fries...

If you cut between Thibodeau’s and the Driftwood hotel, there’s the Sandpiper Café, great breakfast and tasty lunch…especially the exotic burgers and waffle cut fries…

Just past the Sandpiper you'll see the Vault, the completed section of the SLAM building that houses our collections.  We need PPE to get on site, including a hard hat, orange vest, goggles, and sturdy shoes.

Just past the Sandpiper a bit you’ll see the Vault, the completed section of the SLAM building that houses our collections. We need PPE to get on site, including a hard hat, orange vest, goggles, and sturdy shoes.

We enter the Vault through the exhibits shop, which is still being set up.

We enter the Vault through the exhibits shop, which is still being set up.

This is the metals section of the shop, where a LOT of mountmaking is going to be happening this summer.  It just started in earnest last week!

This is the metals section of the shop, where a LOT of mount making is going to be happening this summer. It just started in earnest last week!

Here's the Collections Processing Room (CPR) where the layouts, photography, and incoming objects are dealt with.

Here’s the Collections Processing Room (CPR) where the layouts, photography, and incoming objects are dealt with.

Eventually when we are allowed to have workstations in the Vault this will be the office of Andrew Washburn.  In the meantime, he has generously offered to let the conservation team use the space.  Obviously I have to prepare it a bit...things are in flux.

Eventually when we are allowed to have workstations in the Vault this will be the office of Andrew Washburn. In the meantime, he has generously offered to let the conservation team use the space. Obviously I have to prepare it a bit…things are in flux.

This is a view through the vault through the shop through all the door that must be opened to give access to the loading dock.  This is how we brought in the umiak (the walrus skin whaling boat)

This is a view through the collections storage part of the vault through the shop through all the doors that must be opened to give access to the loading dock. This is how we brought in the umiak (the walrus skin whaling boat)